Berger Books, the new editor-driven imprint from Portland publisher Dark Horse Comics, is something new in the world of comics. It's a bet that readers of comics actually care about editors - or even really understand what comics editors do, for that matter. But to be fair, Karen Berger is one of the most successful editors in comics history: she created DC Comics's wildly successful Vertigo line, which created the template for modern mature-readers comics.
And now that Vertigo has largely disappeared, maybe there's an underserved audience that will flock to Berger Books. I certainly hope so; based on the one book from Berger that I've read - writer Mat Johnson and artist Warren Pleece's Incognegro: Renaissance, the first issue of which published just last week - this is a line that's deserving of a very large audience.
Renaissance is a prequel to the Vertigo comic Incognegro, about a light-skinned Black reporter who can pass for white in 1930s New York City. (You don't have to have read the first book to understand this new one.) It's the first issue of a five-issue mystery story, and it's a masterful example of storytelling economy.
Renaissance opens with our hero, Zane Pinchback, attending an un-segregated party in honor of a new novel about Harlem written by a white author. The publisher praises the author for "braving streets of Harlem rarely seen by white eyes," which causes all the Black eyes in the house to roll violently back in their skulls. ("Another hand for the great white warrior, back from safari," one Black partygoer blurts as he chugs on a bottle of wine.)
Johnson and Pleece elegantly set the stage here: they walk us through the party, introduce us to all the suspects, and then establish a splashy murder of a surprising victim before the book hits page 20. The tensions are high, and everyone's got a motive. Pinchback makes a great detective, as he can code himself on either side of the racial tensions surrounding the murder. I can't tell you how the book will play out, obviously, but Renaissance's first issue is a compelling beginning, and Berger's imprimatur should earn a reader's trust that the story will keep the promise made by the opening chapter.